Diversion 2004, mirror, pre-existing architecture, sunlight A mirror attached to south gallery window diverts the usual path of afternoon sunbeam across the gallery wall... |
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Diversion, 2004 |
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I was invited to propose a piece for an exhibition entitled “Open.” Using images from their website for reference, the curators asked for proposals that intervened with the unique architecture of the historic space. I proposed to place a mirror in the attic, behind a window, where the afternoon sunlight would stream down the gallery wall as a spike of light. The sunbeam makes its appearance on the wall and moves its position until dusk. This phenomenon would only be witnessed if sunny weather conditions were present, along with being there at a good time for viewing. Even still, there is always the chance that it is only experienced as ambient noise, on the periphery of perception like so much sensory information we must selectively ignore to function daily in civilization. |
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In what appeared to be an empty exhibition
space, “Open” considered the elasticity of emptiness, the
thresholds of perception, and the physical and cultural parameters of
the white cube. The show was co-curated by Sandra Firman and Richard Torchia
in conjunction with “The Big Nothing,” a citywide festival
initiated by the Institute of contemporary Art, Philadelphia. Much thanks
go to Bree Edwards, Sandra Firman, Reed Haslach and Richard Torchia for
making this project possible. |
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Diversion, 2004, installation view |
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THE
BIG NOTHING - ICA,
Philadelphia OPEN - Arcadia University Art Gallery |
/chris.musgrave.org/projects |